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 Twilight--Los Angeles, 1992 on the Road: A Search for American Character by Anna Deavere Smith, Twilight is Anna Deavere Smith's stunning new work of "documentary theater" in which she uses the verbatim words of people who experienced the Los Angeles riots to expose and explore the devastating human impact of that event. From nine months of interviews with more than two hundred people, Smith has chosen the voices that best reflect the diversity and tension of a city in turmoil: a disabled Korean man, a white male Hollywood talent agent, a Panamanian immigrant mother, a teenage black gang member, a macho Mexican-American artist, Rodney King's aunt, beaten truck driver Reginald Denny, former Los Angeles police chief Daryl Gates, and other witnesses, participants, and victims. A work that goes directly to the heart of the issues of race and class, Twilight ruthlessly probes the language and the lives of its subjects, offering stark insight into the complex and pressing social, economic, and political issues that fueled the flames in the wake of the Rodney King verdict. Combining Smith's introduction exploring Twilight's evolution from the streets to the stage, the complete play script, and photos of the author in character, Twilight is a captivating work of dramatic literature - and a unique first-person portrait of a pivotal moment in current history.
 Brown Bunny (Superbit), The (Widescreen, Subtitled) "The Brown Bunny" is both a love story and a haunting portrait of a lost soul unable to forget his past. After finishing a motorcycle race in New Hampshire, Bud Clay (Vincent Gallo) loads his racing bike into the back of his van and begins a cross-country odyssey to Los Angeles, where he is to compete in another race. During his trip, he meets three very different women: Violet, a wholesome all-American gas station attendant; Lilly (Cheryl Tiegs), a fellow lost soul he connects with at a highway rest stop; and Rose, a Las Vegas prostitute. Throughout his journey, Bud can never escape his intense feelings for the love of his life, Daisy (Chloe Sevigny), so he plans to reconcile with her when he reaches Los Angeles. Arriving in Los Angeles, Bud checks into a motel before visiting the abandoned home he once shared with Daisy. He leaves a note, hoping she will turn up at his motel room...Building to a notorious climax, the film presents one of the frankest portrayals of male sexuality ever seen in American cinema. Superbit Digital Transfer.
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